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- W2207387112 abstract "Since the advent of Video Art in the 1960s, the medium has transformed from experimental to mainstream in contemporary art. Yet, where is Video Art placed in the twenty-first century? Can it be that Video Art has moved away from a 'New Media' and is now, in fact, not new at all? From this perspective, one might argue that it has - given that much of the term New Media now encompasses virtual, interactive and immersive pathways - drifted into an established art form that, like the traditional Fine Art mediums such as painting, drawing and sculpture, focus less on cutting edge, ground-breaking experimentation and more on the reliance of a cultural ancestry that, in the case of Video Art, began life as an outsider; an artistic, technological fringe dweller. Furthermore, as Video Art changes into an establishment, the technological advancements of the digital era has brought with it an unprecedented accessibility for artists that until recently was not possible to create. Has this event lead to an evolution which has changed both the ways in which artists create video artworks and how we, the viewer, perceive, and relate to, such artwork. If so, what is new about Video Art in the twenty-first century? No longer the secular cousin of cinema, it has experienced mainstream acknowledgement by critiquing, and crossing over into, among others, music video clips, and computer games. In this paper, I will discuss these issues by arguing that Video Art is experiencing a new practice through ideas separate from its twentieth century ancestry. Supporting this, discussion will include the artwork of artists such as Chris Cunningham, Brendan Lee, and The King Pins." @default.
- W2207387112 created "2016-06-24" @default.
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- W2207387112 date "2005-01-01" @default.
- W2207387112 modified "2023-09-23" @default.
- W2207387112 title "The New New: Video Art in the Twenty-first Century" @default.
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