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- W2216499741 abstract "Questioning power relationships, and the relevance of inherited structures of authority and deference, was a prime mover behind the activity of many British experimentalists within 1960s classical music. But such questions were also crucial to the radical explorations of the British freely improvising musicians concurrently forging a new musical language; both groups were seeking to remodel the institutionalised composer-interpreter hierarchy. How did composer/musicians from the jazz/improvising tradition attempt to square the circle of ‘telling others what to do’ while pursuing the ideal of individual freedom? Are there paradigms outside the classical tradition which might provide composers with a more viable, communitarian working model? The author's current research seeks to answer such questions through musician interviews, along with extensive study of experimental scores in the BMC archive at Huddersfield University. In addition, the author has himself over 30 years experience in both freely improvised music and composing, conducting or otherwise structuring music involving improvisation." @default.
- W2216499741 created "2016-06-24" @default.
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- W2216499741 date "2015-05-04" @default.
- W2216499741 modified "2023-09-25" @default.
- W2216499741 title "A More Attractive Way of Getting Things Done: Some Questions of Power and Control in British Improvised Music" @default.
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- W2216499741 doi "https://doi.org/10.1080/07494467.2015.1094217" @default.
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