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- W2220828977 abstract "The paper focuses on the conceptual notion of the audience as an idealizedway of seeing or the privileging of certain visual modes to delineate that, whichis meaningful in and as architecture. This is examined through an interrogationof John Ruskin's writings on architecture. While Ruskin's writings have hadfar-reaching effects as well as impacts on Victorian architectural practice, to theprofessionally trained audience they have always seemed to lack import andpotency. This disconnect points to shifts in visual conventions in architecturalthought. In order to identify these shifts, the paper puts forwards a series oforiginal arguments. Ruskin's history of architecture was written exclusively onand about· fragments and surfaces. However, underneath this seemingly adhoc and capricious method was the pursuit of planar architecture, textileanalogy, and architectural hybridity. The paper interrogates these -orientationsto reveal multiple visual modes of spiritualism, travel, and photography thatco-exist and cooperate to inform Ruskin's development of a nineteenth centuryarchitectural ideal." @default.
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- W2220828977 date "2011-01-01" @default.
- W2220828977 modified "2023-09-27" @default.
- W2220828977 title "New Ways of Looking: John Ruskin's visual and textual strategies for writing a history of architecture" @default.
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