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- W2224060470 abstract "One of the areas of research focused upon in recent rock art studies has been the possible impact of symbiotic interaction between San people and black farmers on the ideological systems and rites of the San. It has been suggested that symbiotic contact between south-eastern San and black farming communities led to the adoption of these farmers' religious beliefs and rites, in whole or part, by some south-eastern San groups. Changes in the ritual and ideological systems of southeastern San in close and harmonious contact with black farmers, it is argued, are reflected in the overt content and the symbolism of some of the rock paintings executed by these San groups. This position is based on our knowledge of the history of interaction between south-eastern San and black farmers which indicates that, while some San groups remained relatively independent of black farmers and were probably largely uninfluenced by the religious ideologies of these groups, others formed close relationships with their southern Sotho and Nguni neighbours. The fact that the cultures of a number of hunter-gatherer groups, including the San, have changed as a result of their adopting some of the rites and beliefs of neighbouring farmers is used to support the suggestion that some south-eastern San groups would have been similarly influenced.3 It is therefore argued that new rites and beliefs adopted from farmers, as well as syncretic rites and beliefs drawn from both San and farmer cultures, would be depicted in the art of some San groups in close symbiotic contact with black farmers.4 Examples provided to support the view that some San paintings show the influence of the religious ideology of black farmers include paintings com-" @default.
- W2224060470 created "2016-06-24" @default.
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- W2224060470 date "1997-01-01" @default.
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- W2224060470 title "An evaluation of recent oral evidence relating to Nguni diviners and the South-Eastern San" @default.
- W2224060470 hasPublicationYear "1997" @default.
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