Matches in SemOpenAlex for { <https://semopenalex.org/work/W2227824943> ?p ?o ?g. }
Showing items 1 to 72 of
72
with 100 items per page.
- W2227824943 endingPage "296" @default.
- W2227824943 startingPage "267" @default.
- W2227824943 abstract "Theatricality has emerged as one of the most prolific concepts in contemporary photographic art. Artists in this theatrical mode of photography include Jeff Wall, Philip-Lorca diCorcia, Thomas Struth, Andreas Gursky, Luc Delahaye, or Juul Hondius whose staged or dramatized documentation of the real with captivating pictorial clarity and scale have established a new tradition of photography-as-art after the medium’s conventional credibility ran out in this post-photographic era. However, within a critical tradition of modern art history, to define photography as a type of theater is to deny its aesthetic autonomy and authenticity because it would necessarily entail “a plea for another genre” which is “the negation of art.” Michael Fried, who first sketched this anti-theatrical tradition in his famous essay, “Art and Objecthood” (1967) revisits and reinforces this view in his recent book, Why Photography Matters as Art as Never Before (2008). Fried’s basic lines of argument in this book suggest that contemporary photographic arts reinstate the anti-theatrical tradition of much older French paintings in their absorptive pictorial quality, reinstating the medium’s art historical contingency and aesthetic autonomy. However, although Fried’s attention throughout the book is paid exclusively to elaborating both critical and historical continuity of this anti-theatrical tradition in photography, most of his critical languages rather, as I argue in this essay, reassure a more dynamic relation between the theatrical and the anti-theatrical, giving his readers an opportunity to rethink the medium’s new task and role beyond Fried’s explicit aesthetic discourse. In this paper, therefore, I first review and analyze Fried’s new theory of photography in consideration to its interlocking relationship with his earlier works. Then I will explain how Fried’s new photographic theory contributes, beyond many critical doubts on the theory’s untimely modernist view, to the current discourse that questions the role of fine art and tasks of the beholder in the radical paradigm changes of the new media era." @default.
- W2227824943 created "2016-06-24" @default.
- W2227824943 creator A5025266494 @default.
- W2227824943 date "2013-08-01" @default.
- W2227824943 modified "2023-09-23" @default.
- W2227824943 title "Theatricality in Photography and Emancipation of the Spectator" @default.
- W2227824943 cites W1905659956 @default.
- W2227824943 cites W2142790152 @default.
- W2227824943 hasPublicationYear "2013" @default.
- W2227824943 type Work @default.
- W2227824943 sameAs 2227824943 @default.
- W2227824943 citedByCount "0" @default.
- W2227824943 crossrefType "journal-article" @default.
- W2227824943 hasAuthorship W2227824943A5025266494 @default.
- W2227824943 hasConcept C107038049 @default.
- W2227824943 hasConcept C119657128 @default.
- W2227824943 hasConcept C124952713 @default.
- W2227824943 hasConcept C142362112 @default.
- W2227824943 hasConcept C153349607 @default.
- W2227824943 hasConcept C17744445 @default.
- W2227824943 hasConcept C199539241 @default.
- W2227824943 hasConcept C205783811 @default.
- W2227824943 hasConcept C2781153986 @default.
- W2227824943 hasConcept C52119013 @default.
- W2227824943 hasConcept C554144382 @default.
- W2227824943 hasConcept C70789860 @default.
- W2227824943 hasConcept C85363599 @default.
- W2227824943 hasConcept C94625758 @default.
- W2227824943 hasConceptScore W2227824943C107038049 @default.
- W2227824943 hasConceptScore W2227824943C119657128 @default.
- W2227824943 hasConceptScore W2227824943C124952713 @default.
- W2227824943 hasConceptScore W2227824943C142362112 @default.
- W2227824943 hasConceptScore W2227824943C153349607 @default.
- W2227824943 hasConceptScore W2227824943C17744445 @default.
- W2227824943 hasConceptScore W2227824943C199539241 @default.
- W2227824943 hasConceptScore W2227824943C205783811 @default.
- W2227824943 hasConceptScore W2227824943C2781153986 @default.
- W2227824943 hasConceptScore W2227824943C52119013 @default.
- W2227824943 hasConceptScore W2227824943C554144382 @default.
- W2227824943 hasConceptScore W2227824943C70789860 @default.
- W2227824943 hasConceptScore W2227824943C85363599 @default.
- W2227824943 hasConceptScore W2227824943C94625758 @default.
- W2227824943 hasLocation W22278249431 @default.
- W2227824943 hasOpenAccess W2227824943 @default.
- W2227824943 hasPrimaryLocation W22278249431 @default.
- W2227824943 hasRelatedWork W1583815173 @default.
- W2227824943 hasRelatedWork W1601987612 @default.
- W2227824943 hasRelatedWork W2050210631 @default.
- W2227824943 hasRelatedWork W2053044406 @default.
- W2227824943 hasRelatedWork W2068825535 @default.
- W2227824943 hasRelatedWork W2331127037 @default.
- W2227824943 hasRelatedWork W233851901 @default.
- W2227824943 hasRelatedWork W2339617593 @default.
- W2227824943 hasRelatedWork W2479950653 @default.
- W2227824943 hasRelatedWork W2600119509 @default.
- W2227824943 hasRelatedWork W2902477669 @default.
- W2227824943 hasRelatedWork W2921500629 @default.
- W2227824943 hasRelatedWork W3007917584 @default.
- W2227824943 hasRelatedWork W399647614 @default.
- W2227824943 hasRelatedWork W615628675 @default.
- W2227824943 hasRelatedWork W650776719 @default.
- W2227824943 hasRelatedWork W72466831 @default.
- W2227824943 hasRelatedWork W829407863 @default.
- W2227824943 hasRelatedWork W2017810803 @default.
- W2227824943 hasRelatedWork W43660641 @default.
- W2227824943 hasVolume "39" @default.
- W2227824943 isParatext "false" @default.
- W2227824943 isRetracted "false" @default.
- W2227824943 magId "2227824943" @default.
- W2227824943 workType "article" @default.