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- W2230614918 abstract "This essay explores the landscape dimensions of one of Lorenzo Lotto�s most compelling and enigmatic portraits, The Young Man (c. 1530), now housed at the Gallerie dell�Accademia in Venice. As in other famous portraits from his principal period in Venice, including Andrea Odoni (1527) and Portrait of a Lady as Lucretia (c. 1533), Lotto�s still unidentified Young Man is set in an interior space, surrounded by objects that embellish his character. Scholarship has focused on constructing the man�s biography from a close reading of the contents in his room, yet the prominent role of the landscape beyond the window and its interplay with elements within the man�s studiolo � namely the green and blue fabrics on his table, the lizard, and the rose petals � still go unnoticed. Through a close examination of the nature metaphors in Lotto�s Young Man in light of contemporary paintings of St. Jerome and romances like the Hypnerotomachia Poliphili (Venice, 1499), the present paper aims to expand our understanding of landscape in Lotto�s painting; in particular, ways in which Lotto merged landscape metaphors with portraiture to allude to the gentlemanly ideal of otium and, more broadly, the cultural ethos of the studiolo." @default.
- W2230614918 created "2016-06-24" @default.
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- W2230614918 date "2012-01-01" @default.
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- W2230614918 title "The lizard in the study: landscape and otium in Lorenzo Lotto's Portrait of a young man (c. 1530)" @default.
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