FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2245180156> ?p ?o ?g. }

• W2245180156 startingPage "2021" @default.
• W2245180156 abstract "Roland Barthes writing, to the zero degree, seemed to put its accent on the differences between art and craft as a question of style, mannerism: writing limits, merges, proportions, isolate, build its own social reality, but is it still a thoughtful shape? Or it is the suit, the envelop, the skin, of a constitutional part of the ‘I’, that revolts this scenery, that renews the pact as agreement of the rights of the person, the individual outside the conveniences as before 1996 were the ground of the usury of any political term? Among linguistic and semiotic we can discover the traits of differences as to perceive its eidetic necessity, the elements and the objects. Since Erik Landowsky, in which the page is structured as a painting of spaces connotations, oblique to the reader or since Giovanni Anceschi where the art of the page it is experience of communication, the occurrence, the author, inference a social space and a collective «I», the subject restrain, closes, exemplify or even models what is expanded, translated, loosened. From the identity body of the newspaper we get to the unreachable public identity of the consumer. The chiastic gesture or the censure one, or the polisemic as it is involved just in the object: it should impress a certain quality of the message and continuity of the communication. A semiotic landscape, in some of the terms of Ruggero Pierantoni, of light phenomenon, while on the newspaper could be seen in its own categories exploited as re-reading a townscape, as the voyageur propose a journey, the compositions aspects may represent some ways to renew the fragmented process, pauses, attitudes to rebuild a reader theory. To Jean Marie Floch, the page is the emergences of the meaning: utters as sudden wriggle, out of the waving envelop. If there is a mania that is to compare the different corporate identity without results, as to forget the composition, the athletic heritage of the development; but here is the challenge: the irony become quotation, through a passionate writer – the pigiama seems only to create the deal, the game, the landscape in a possible recognition of a certain time braking the appearances between words and deeds, knowledge and real objects. Subjectivity is in the semiotic montage: where it disappears, democracy is forgotten. To Giovanni Anceschi the newspaper is a communicational artefact that sculpts, models, our history: its typefaces are still means that signs the melodic registry of counterfeit? We will bring together some pieces of graphic experiences, some deep lecture and irony as vocation, and compare the voices as textual genres and the typefaces as tools for semiotic culture: as in a painting of J.-L. T. Gericault, the relicts of The Raft of The Medusa, to demystify the genres, to rediscover some anthropological calls for cultural objects in visual communication from painting to architecture, from sculpture to print." @default.
• W2245180156 created "2016-06-24" @default.
• W2245180156 creator A5076468237 @default.
• W2245180156 date "2012-01-01" @default.
• W2245180156 modified "2023-09-23" @default.
• W2245180156 title "The print page space as aesthetic discourse: art semiotic in democracy" @default.
• W2245180156 cites W2074118212 @default.
• W2245180156 hasPublicationYear "2012" @default.
• W2245180156 type Work @default.
• W2245180156 sameAs 2245180156 @default.
• W2245180156 citedByCount "0" @default.
• W2245180156 crossrefType "journal-article" @default.
• W2245180156 hasAuthorship W2245180156A5076468237 @default.
• W2245180156 hasConcept C107038049 @default.
• W2245180156 hasConcept C138885662 @default.
• W2245180156 hasConcept C139997677 @default.
• W2245180156 hasConcept C142362112 @default.
• W2245180156 hasConcept C144024400 @default.
• W2245180156 hasConcept C153349607 @default.
• W2245180156 hasConcept C205783811 @default.
• W2245180156 hasConcept C2776445246 @default.
• W2245180156 hasConcept C2778355321 @default.
• W2245180156 hasConcept C2781238097 @default.
• W2245180156 hasConcept C29595303 @default.
• W2245180156 hasConcept C41895202 @default.
• W2245180156 hasConcept C554936623 @default.
• W2245180156 hasConceptScore W2245180156C107038049 @default.
• W2245180156 hasConceptScore W2245180156C138885662 @default.
• W2245180156 hasConceptScore W2245180156C139997677 @default.
• W2245180156 hasConceptScore W2245180156C142362112 @default.
• W2245180156 hasConceptScore W2245180156C144024400 @default.
• W2245180156 hasConceptScore W2245180156C153349607 @default.
• W2245180156 hasConceptScore W2245180156C205783811 @default.
• W2245180156 hasConceptScore W2245180156C2776445246 @default.
• W2245180156 hasConceptScore W2245180156C2778355321 @default.
• W2245180156 hasConceptScore W2245180156C2781238097 @default.
• W2245180156 hasConceptScore W2245180156C29595303 @default.
• W2245180156 hasConceptScore W2245180156C41895202 @default.
• W2245180156 hasConceptScore W2245180156C554936623 @default.
• W2245180156 hasLocation W22451801561 @default.
• W2245180156 hasOpenAccess W2245180156 @default.
• W2245180156 hasPrimaryLocation W22451801561 @default.
• W2245180156 hasRelatedWork W1575674865 @default.
• W2245180156 hasRelatedWork W2484523613 @default.
• W2245180156 hasRelatedWork W2491003669 @default.
• W2245180156 hasRelatedWork W2562892838 @default.
• W2245180156 hasRelatedWork W2607212779 @default.
• W2245180156 hasRelatedWork W2734372704 @default.
• W2245180156 hasRelatedWork W2789476836 @default.
• W2245180156 hasRelatedWork W2945704991 @default.
• W2245180156 hasRelatedWork W2977383509 @default.
• W2245180156 hasRelatedWork W2986420560 @default.
• W2245180156 hasRelatedWork W2998659539 @default.
• W2245180156 hasRelatedWork W3026249882 @default.
• W2245180156 hasRelatedWork W3036012439 @default.
• W2245180156 hasRelatedWork W3106605987 @default.
• W2245180156 hasRelatedWork W3125742255 @default.
• W2245180156 hasRelatedWork W3167362921 @default.
• W2245180156 hasRelatedWork W3186887975 @default.
• W2245180156 hasRelatedWork W3189785985 @default.
• W2245180156 hasRelatedWork W3190122305 @default.
• W2245180156 hasRelatedWork W375788405 @default.
• W2245180156 isParatext "false" @default.
• W2245180156 isRetracted "false" @default.
• W2245180156 magId "2245180156" @default.
• W2245180156 workType "article" @default.