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- W2245196683 abstract "It is no secret that a linguistic community’s attitudes towards its perceived outsiders has a lot to say about its self-perception, its self-confidence, its identity. Thus it is that the habits displayed by national broadcasters with regard to the language varieties they employ can prove very telling indeed. In England, where – historically speaking – class has always played a more significant role than regional origin, Received Pronunciation (RP), an accent generally imposed by elite educational institutions such as the Universities of Oxford and Cambridge as well as the Inns of Court in London and the Church of England, held universal and uncontested sway over the airwaves until relatively recently: “Only in the 1960s was the policy of insisting on RP speakers on radio and television abandoned, and at about the same time the requirement of a prescribed and relatively homogeneous accent became relaxed also in the public schools and the Church of England” (Milroy, 2006: 188). As the following observation of Cran et al (1992: 21) demonstrates, this was by no means an unpopular decision forced on a reluctant public: “During the Second World World War, the BBC tried to use well-known personalities with local accents, such as the Yorkshireman Wilfred Pickles, as newsreaders. The experiment was abandoned after listeners complained. During the 1960s and 1970s, however, rapid social change was reflected by a widening of the accent spectrum heard on BBC broadcasts”." @default.
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- W2245196683 date "2011-01-01" @default.
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- W2245196683 title "Global English: The proliferation of English varieties in American television series" @default.
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