FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W224631835> ?p ?o ?g. }

• W224631835 abstract "Define social as relationship that forms community, as that community from its economic material base to its cultural philosophical-institutional superstructure. Society is a sum and dimension of all its relationships which define it - as to what kind of society. E.g., how people get their food, clothing and shelter - i.e., what they have to do, absolutely, to be here. These are the fundamental shapers of what we call society. There is no such thing as society without the relationships of those in it to create, change even destroy whatever it is these relations exist as. Change can be progressive i.e. toward a more organically and consciously related entity as Human Earth. Toward the proliferation and enhancement, in all ways, of Or that change can be backward, reactionary, deathly, as the one we live in here. The gains from the democratic straggles of the sixties rolling back down Sisyphus mountain, as the U.S. loses its national sovereignty and is ruled now more directly by imperialist ruling international network of capital. Poetry is expression of Human Society, aspect of its living description. And like society itself, the huge living culture is related and ordered (by whatever) lives. Art is an ideological expression of society, says Mao at Yenan. Where Do Ideas Come From? asks Mao. From Social Life. Our real objective lives as well as the psychological reflection, clear or through a glass darkly, of those lives. So in the arts, the culture, the there are classes, histories, experiences, values, assumptions, ways of rationalization, of class perception. All ideas are stamped with class, says Marx. whom do you write? Mao says at Yenan. What do you celebrate, what do you attack? What do you think beautiful, what ugly? Art expresses this, all art, even our own! In society there are classes, groups formed by the socio-economic development of society and our place in it. Groups of people formed by their relationship to the production process, how material life goes on. Do we own these factories, television stations &c or work for them? Are we the purchasers of labor or the labor which is purchased? What is our place in the social organization of labor? Do we give orders or take them? What is the size of the social product (salary) and how do we get it? For instance, most of us here are petty bourgeois by education and socialization, the vast majority of people can only sell the muscles in their arms. A tradition is a historical social process in which certain recurring themes, motifs, forms, philosophies, institutions present a continuous tale of their social presence and impact. There is in any nation, two cultures, Lenin says, likewise in the U.S. there is the culture of the oppressed and the culture of the oppressors. So there is, as well, a tradition of the oppressed and a tradition of the oppressors. In the U.S., a minority of the oppressed are often utilized to shape the look, the approach, the themes, and message and psycho-social biases and presumptions on the majority of the oppressed, by adopting the forms of the oppressed. To look poor, for instance the jeans with the holes torn into them, which cost more money. Or Gangsta Rap. This is bourgeois commercial culture. Which takes the popular, as in rap, perverts the recurring themes of democracy, resistance, straggle, oppression and transforms them into a glorification of lumpen criminal Thuggishness. Extolling gangsterism not revolution. In the arts and cultural expressions there is a sector enriched by the U.S. rulers, while the most democratic expressive and objective reflections of society are quickly covered, attacked, dismissed, while the art which expresses and confirms and legitimates the rule of capital, oppression, exploitation, imperialism, anti-democratic social relations, will be well-paid and ubiquitously in evidence and celebrated, given prizes, declaring the supremacy of them as person, artifact, tradition (and white supremacy) in whatever pose. …" @default.
• W224631835 created "2016-06-24" @default.
• W224631835 creator A5049408617 @default.
• W224631835 date "1997-01-01" @default.
• W224631835 modified "2023-09-27" @default.
• W224631835 title "Social Change & Poetic Tradition" @default.
• W224631835 doi "https://doi.org/10.2307/25304217" @default.
• W224631835 hasPublicationYear "1997" @default.
• W224631835 type Work @default.
• W224631835 sameAs 224631835 @default.
• W224631835 citedByCount "1" @default.
• W224631835 crossrefType "journal-article" @default.
• W224631835 hasAuthorship W224631835A5049408617 @default.
• W224631835 hasConcept C107038049 @default.
• W224631835 hasConcept C138885662 @default.
• W224631835 hasConcept C144024400 @default.
• W224631835 hasConcept C158071213 @default.
• W224631835 hasConcept C17744445 @default.
• W224631835 hasConcept C199539241 @default.
• W224631835 hasConcept C206836424 @default.
• W224631835 hasConcept C2777047313 @default.
• W224631835 hasConcept C2778682666 @default.
• W224631835 hasConcept C2780324008 @default.
• W224631835 hasConcept C513891491 @default.
• W224631835 hasConcept C94625758 @default.
• W224631835 hasConcept C95124753 @default.
• W224631835 hasConceptScore W224631835C107038049 @default.
• W224631835 hasConceptScore W224631835C138885662 @default.
• W224631835 hasConceptScore W224631835C144024400 @default.
• W224631835 hasConceptScore W224631835C158071213 @default.
• W224631835 hasConceptScore W224631835C17744445 @default.
• W224631835 hasConceptScore W224631835C199539241 @default.
• W224631835 hasConceptScore W224631835C206836424 @default.
• W224631835 hasConceptScore W224631835C2777047313 @default.
• W224631835 hasConceptScore W224631835C2778682666 @default.
• W224631835 hasConceptScore W224631835C2780324008 @default.
• W224631835 hasConceptScore W224631835C513891491 @default.
• W224631835 hasConceptScore W224631835C94625758 @default.
• W224631835 hasConceptScore W224631835C95124753 @default.
• W224631835 hasLocation W2246318351 @default.
• W224631835 hasOpenAccess W224631835 @default.
• W224631835 hasPrimaryLocation W2246318351 @default.
• W224631835 hasRelatedWork W127470265 @default.
• W224631835 hasRelatedWork W139467561 @default.
• W224631835 hasRelatedWork W1710695549 @default.
• W224631835 hasRelatedWork W1972256076 @default.
• W224631835 hasRelatedWork W2063707150 @default.
• W224631835 hasRelatedWork W2172518949 @default.
• W224631835 hasRelatedWork W2183806208 @default.
• W224631835 hasRelatedWork W2261487051 @default.
• W224631835 hasRelatedWork W2270120376 @default.
• W224631835 hasRelatedWork W2327067665 @default.
• W224631835 hasRelatedWork W244585057 @default.
• W224631835 hasRelatedWork W2464281395 @default.
• W224631835 hasRelatedWork W260221908 @default.
• W224631835 hasRelatedWork W2620020115 @default.
• W224631835 hasRelatedWork W275363534 @default.
• W224631835 hasRelatedWork W2913461350 @default.
• W224631835 hasRelatedWork W309494319 @default.
• W224631835 hasRelatedWork W336397993 @default.
• W224631835 hasRelatedWork W772737453 @default.
• W224631835 hasRelatedWork W2992247921 @default.
• W224631835 isParatext "false" @default.
• W224631835 isRetracted "false" @default.
• W224631835 magId "224631835" @default.
• W224631835 workType "article" @default.