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- W2254089978 abstract "Since its rise to popularity in the 1840s, critics have deemed Berlin work quick, easy, and unattractive; some still consider this needlework type to be what one nineteenth-century critic dubbed “the blood of murdered time.” For Ann Warder (1824–66), exchange of Berlin work objects and patterns provided social interaction in a life of illness and seclusion. Here I explore Berlin work’s history and associated long-standing misconceptions about it using connoisseurship studies of the materials associated with Warder’s collection of Berlin work and patterns at Winterthur, as well as relevant print culture, situating Berlin work within the broader needlework canon." @default.
- W2254089978 created "2016-06-24" @default.
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- W2254089978 date "2011-12-01" @default.
- W2254089978 modified "2023-10-02" @default.
- W2254089978 title "From the Collection “The Blood of Murdered Time”" @default.
- W2254089978 doi "https://doi.org/10.1086/663734" @default.
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