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- W2254517463 abstract "Epic Afterlives: Baudelaire and Tsvetaeva takes asits starting point the repetition within the history of classicalepic poetry of the hero's journey to the underworld, asking howthis scene functions in each poem in which it appears, and how itfunctions within the poetic tradition. I argue that each poeticrepresentation of the underworld, which necessarily involves aconception of the afterlife, works within the poem to fulfillsimultaneous wishes to revive and revisit the past, and to gainknowledge of the future. The Introduction to Epic Afterlivesexamines the poetic constructions of the topographies andtemporalities of underworld and afterlife in the Odyssey, inVirgil's Aeneid, and in Dante's Divine Comedy, drawing on thepsychoanalytic theories of Sigmund Freud and the works of WalterBenjamin, focusing particularly on those moments when it seems thatpast, present and future are strung together, as Freud says, onthe thread of the wish that runs through them. The dissertationargues that, following the violent advent of modernity whichrenders the epic an essentially dead form, the wishes, desires,or drives that once found expression in those epic underworlds liveout linguistic afterlives, however fragmentary or phantasmal, inother literary forms, and in particular in lyric poetry. Thefollowing chapters consider the poetry of Charles Baudelaire as itconfronts a change in the structure of experience in 19th centuryParis which makes it increasingly difficult for the poet to imagineany kind of afterlife at all, and the poetry of Marina Tsvetaeva,who responded to the terrible difficulties of life in, or in exilefrom, Soviet Russia by envisioning, with ever-increasing detail, arefuge for herself and for all poets in another-world." @default.
- W2254517463 created "2016-06-24" @default.
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- W2254517463 date "2010-01-01" @default.
- W2254517463 modified "2023-09-27" @default.
- W2254517463 title "Epic Afterlives: Baudelaire and Tsvetaeva" @default.
- W2254517463 hasPublicationYear "2010" @default.
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