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- W2255641103 abstract "The nineteenth century witnessed a lot of developments in the field of musical acoustics. In the 1860s, Hermann Helmholtz, who made the most outstanding research outcomes in the nineteenth century musical acoustics, analyzed the nature of musical sounds in terms of partial tones, and proved the reality of combination tones through excellent experimental research on acoustics. In addition, he explained the consonance and dissonance on the basis of the beats between partial tones and combination tones. His musical acoustics aimed to scientifically explain the legitimacy of musical acts as an art. It was A. J. Ellis who translated Helmholtz`s acoustical treatise into English to introduce Helmholtz`s musical acoustics to Britain. Apart from its translation, Ellis added detailed notes and voluminous appendices to it based on his original research. He carried out positivistic research on the history of musical pitch by means of accurate measurement and systemized the general theories of various temperaments and musical scales, extending his research to the scales of various cultures. Ellis, like Helmholtz, tried to build all the music on the basis of science, but for this purpose, tried to grasp the contemporary state of music in scientific manners as well as to present the prescriptive examples of music, unlike Helmholtz who explained musical sounds themselves and aesthetic feelings of them scientifically." @default.
- W2255641103 created "2016-06-24" @default.
- W2255641103 creator A5054811598 @default.
- W2255641103 date "2014-01-01" @default.
- W2255641103 modified "2023-09-22" @default.
- W2255641103 title "일반논문 : 19세기 후반 음악 음향학의 발전: 헬름홀츠와 엘리스의 연구를 중심으로" @default.
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