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- W2260696564 abstract "This thesis traces the musical development of the AustrianMass through a study of Mass/Requiem settings by the main composersworking at the Imperial Court in Vienna and the Archiepiscopal Courtin Salzburg from c.1740 to c.1800.The introductory chapter identifies two differentattitudes in terms of musical settings of the Mass by adopting thequotation for worship and at worship. The social changes taking placeduring the period, as well as the musical developments which were reflected in the Mass settings, are outlined also. In Chapters 1-4 the musical development of the Mass inVienna and Salzburg is traced through the late Baroque andPre-Classical periods.Chapters 5-7 are concerned with the three main composersof church music during the Classical period. Separate studies ofJohann Michael Haydn, Wolfgang A. Mozart and Joseph Haydn revealtheir personal contribution to the development of the Austrian Massin relation to the musical and social conditions pertaining inSalzburg, Vienna and Eisenstadt." @default.
- W2260696564 created "2016-06-24" @default.
- W2260696564 creator A5082159402 @default.
- W2260696564 date "1983-01-01" @default.
- W2260696564 modified "2023-09-26" @default.
- W2260696564 title "Musical form and texture in the Austrian mass c.1740-c.1800" @default.
- W2260696564 hasPublicationYear "1983" @default.
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