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• W2262202316 abstract "This article focuses on the question of character subjectivity as it relates to the portrayal of perspective in graphic memoir. Adopting a narratological approach, it interrogates the distinction between focalization and ocularization, thinking and seeing, to ask if it is theoretically attractive to distinguish between the two when considering the presentation of subjectivity in graphic memoir. Through a critically informed analysis of visual techniques used by comics artists to represent character perspective, the article concludes that ocularization is a part of focalization, and not separate from it. Examples are drawn from Persepolis, Stitches, and Fun Home." @default.
• W2262202316 created "2016-06-24" @default.
• W2262202316 creator A5087577718 @default.
• W2262202316 date "2015-01-01" @default.
• W2262202316 modified "2023-10-17" @default.
• W2262202316 title "What’s the Matter of Seeing in Graphic Memoir?" @default.
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• W2262202316 doi "https://doi.org/10.1353/scr.2015.0036" @default.
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