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- W2262632912 abstract "movie versions of Hemingway's novels has been often disappointing at best and horrible at worst. As a visual medium, film relies often too much on what is above the surface, and a writer of great, yet subtle, textual ability such as Hemingway would not transfer mediums well. Except this fundamental problem, further hindering adaptations of Hemingway's novels was the narrow-sightedness of studio executives who insisted on formulaic plots and pat resolutions, and a fickle public and callow screenwriters. requirement that any difficulty be resolved for the audience damned every adaptation of America's greatest twentieth-century novelist. In A Farewell to Arms (1932), like so many other virtually identical movies of the early thirties, Fredric is a conventional Hollywood romantic lead in this movie. None of the internal conflict that he experiences in the novel makes it into the film. To Have and Have Not (1944) is a seeming sequel to 1943's Casablanca to catch the Casablanca lightning in a bottle for a second time. Hollywood molded Hemingway's great, textually deep, The Short Happy Life of Francis into a proscribed romance, Macomber Affair (1947). Hollywood version of Hemingway's seminal novel Sun Also Rises (1957), eliminating the fact that the characters are damaged more internally than externally and thus removing the ultimate conflict in the novel, the characters against themselves, transforms into a rather mediocre romantic movie." @default.
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- W2262632912 date "2006-12-01" @default.
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- W2262632912 title "Hemingway Goes to Hollywood : Film Adaptations of Hemingway's Novels" @default.
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