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- W2263584564 abstract "Several insights should by now be clear to all students of Nabokov who have assimilated the critical literature of the past twenty years: that he is a Romantic who views this world as a parody of the otherworld, causing his works to abound in doublings, mirrorings, and inversions; that the glimmerings of another existence beyond our own may occasionally be discerned in nature, in fate's workings, in art; and that the puzzles and rich referentiality of Nabokov's texts to other literature are designed to send the reader on a quest for the transcendent. Early critics of Nabokov's work mistakenly viewed his fictional worlds as hermetic, as arcane self-referential systems designed as metaliterary manifestos; Page Stegner's Escape into Aesthetics is a frequently reviled pure example, but Alfred Appel's pioneering work, focused as it was on modernism, erred in the metaliterary direction as well.1 After Ellen Pifer dared to show us Nabokov's concern with universal human issues, Brian Boyd's book on Ada also stressed the humanity of Nabokov's" @default.
- W2263584564 created "2016-06-24" @default.
- W2263584564 creator A5081213812 @default.
- W2263584564 date "1994-02-01" @default.
- W2263584564 modified "2023-09-28" @default.
- W2263584564 title "Nabokov's Biographers, Annotators, and InterpretersNabokov's Otherworld. Vladimir E. AlexandrovPhantom of Fact: A Guide to Nabokov's Pnin. Gennadi BarabtarloNabokov: The Mystery of Literary Structures. Leona TokerVladimir Nabokov: The Russian Years. Brian BoydVladimir Nabokov: The American Years. Brian Boyd" @default.
- W2263584564 doi "https://doi.org/10.1086/392172" @default.
- W2263584564 hasPublicationYear "1994" @default.
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