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- W2264351435 abstract "is Associate Professor of German at the Dept. of Culture and Global Studies, Aalborg University and holds a PhD in Ger- man literature from the University of Copenhagen. Research interests include eco-critical approaches to literature and cul- ture, cultural hybridity, literature and films dealing with the fall of the Berlin wall and crime fiction. co-editor of the an - thology Non-Place: Representing Placelessness in Literature, Media and Culture (in press). Abstract Countless representations in different media and genres through several decades make Hitler one of the most productive icons on a global scale. The analysis of this icon seems of fundamental theo- retical interest as its original semantics as the embodiment of evil challenges common notions of icon work between collaborative iconolatry, on the one hand, and adversarial iconoclasm, on the other. However, the range of different significances to be found in contemporary Hitler representations suggests that the icon serves to work through issues of the respective context in which it is used. I will argue that, interestingly, especially representations claiming to do justice to history and to the historical person Hitler might be problematized and seen as part of a remembrance industry, while pop-cultural, often humorous representations of the icon establish a critical meta-level allowing audiences to reflect on certain phe - nomena in contemporary media society." @default.
- W2264351435 created "2016-06-24" @default.
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- W2264351435 date "2015-01-01" @default.
- W2264351435 modified "2023-09-27" @default.
- W2264351435 title "The Pop-Icon Hitler as a Trope of Critical Reflection on Media Society" @default.
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