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- W2266139333 abstract "Oscar Wilde was enjoying a new vision as he appreciated the portrait of Dorian Gray. Walter Benjamin was experiencing a new tactile sensation as he unpacked his library. For both, experiences of body constitute the most original and authentic orientation of life. Refuting a negative perception of the materiality of objects, namely commodity, which exists to hinder the potential of subjectivity and prompt the recognition of alienation, Oscar Wilde and Walter Benjamin devote themselves to an obsession with the body closely related to the lived materiality of objects, thereby rendering the very intimacy between subject and object feasible through something that one senses and then loves. These objects are interlaced with the texture of the body which tends to memorize ceaselessly. This paper aims to investigate the category of collection in which their materiality creates a profound significance in the midst of experiential relations in Oscar Wilde's ”The Picture of Dorian Gray” and Walter Benjamin's essay ”Unpacking My Library: A Talk about Book Collecting.” This paper proposes that a direct contact of the body and the collectible may rewrite the texture of memory and suggests that the body itself does not only serve as a repository for the production of the senses, but also increase the vigor of agency present in the material transformation as well as the spiritual revitalization integral to the process of collecting." @default.
- W2266139333 created "2016-06-24" @default.
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- W2266139333 date "2013-10-01" @default.
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- W2266139333 title "Collection and Body Memory in Oscar Wilde and Walter Benjamin" @default.
- W2266139333 hasPublicationYear "2013" @default.
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