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- W2266693516 abstract "For Husserl, transcendental phenomenology can be defined as an attempt to realize the deepest sense of Kantian philosophy. Both Kant’s and Husserl’s transcendental philosophy most essentially share their fundamental statement of an apriori and the essential possibility of the constitution of a true objectivity in the transcendental subjectivity. Husserl even employs the term ‘transcendental aesthetics’ directly from Kant’s Critique of Pure Reason. In regard to ‘transcendental aesthetics,’ this study examines first how Husserl criticizes Kantian distinctions between transcendental aesthetic and transcendental analytic. Secondly, it further shows how Husserl reappropriates Kant’s term of synthesis, especially the figurative synthesis in his genetic phenomenology. Lastly, it analyzes Husserl’s understanding of Kant’s time and his criticism of it." @default.
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- W2266693516 date "2012-06-01" @default.
- W2266693516 modified "2023-09-23" @default.
- W2266693516 title "Husserl’s Critical Appropriation of Kant’s Transcendental Aesthetics" @default.
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