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- W2267387413 abstract "In Anne MacDonald's Ophelia, flowers, emblems of the tragic heroine's beauty and fragility, float in a symbolic black void. 'As isolated as suicide' noted the critic Elwyn Lynn of the cortege of fifty-two images, each individually framed in funereal black, strewn across the gallery space like the scattered coronet in Shakespeare's weeping brook. In 1994, Ophelia was distinguished as the first photographic work to be selected for the prestigious Mdet and Chandon touring exhibition of contemporary Australian art. (MacDonald's work was also selected for the two subsequent Moots.) MacDonald has a knack for distilling a complex interplay of meanings in her allegories of the transience of life. Her referents are literary, social and art historical." @default.
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- W2267387413 date "1996-01-01" @default.
- W2267387413 modified "2023-09-24" @default.
- W2267387413 title "Exquisite corpse: Anne MacDonald's Vanitas" @default.
- W2267387413 hasPublicationYear "1996" @default.
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