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- W2267876965 abstract "This thesis examines the symbol of land through a comparison of six pieces of multi-ethnic literature of Hawai’i from 2002 to the present. In contemporary Hawai‘i literature and criticism, poets, writers, and scholars are currently engaged in a debate over the value and perception of land, as presented in Candace Fujikane and Jonathan Okamura’s highly influential text Asian Settler Colonialism. In response to their claim that values of land in Hawai‘i can be reduced to a dichotomous structure of “settler” and “native,” I assert a multiplicitous theoretical model to this debate—that of the “rhizome,” created by Gilles Deleuze and Felix Guattari in their volume A Thousand Plateaus: Capitalism and Schizophrenia. Using this botanical metaphor of interwoven narratives, I argue that Hawai‘i functions as a rhizomatic place, which allows for the reterritorialization of perceptions outside the dominant rendering of Hawai‘i as a “tropical paradise” but rather as a location of ecological vulnerability. Using this theoretical model, I examine the following texts: Haunani Kay Trask’s Night is a Sharkskin Drum and Lurline McGregor’s Between the Deep Blue Sea and Me; Kaui Hart Hemmings’s The Descendants and Tara Bray Smith’s West of Then; and Gary Pak’s “The Guest” and Lois-Ann Yamanaka’s Behold the Many." @default.
- W2267876965 created "2016-06-24" @default.
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- W2267876965 date "2013-01-01" @default.
- W2267876965 modified "2023-09-23" @default.
- W2267876965 title "MALAMA ʻAINA: IDENTITY, RETERRITORIALIZATION, AND ECOLOGICAL CONSCIOUSNESS IN CONTEMPORARY LITERATURE OF HAWAIʻI" @default.
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