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• W2269032115 abstract "The ElectroAcoustic Music Resource Site (EARS, www.ears.dmu.ac.uk) research team has completed a major phase of development and is about to embark on its further internationalisation as well as the creation of a significant new multi-faceted resource for people of all ages, in particular young people, who have little to no experience with this diverse musical corpus. 1 This paper summarises the project’s points of departure, significant recent developments and accomplishments and describes the exciting path ahead, not only focusing on EARS’ raison d’etre as a resource hub, but also looking at the planned combination of didactic methods which will support: access to appreciating the music, interested parties’ first creative experiences as well as a holistic pedagogy to further understanding. 1. BACKGROUND Much of my career has been spent addressing issues of access to new, challenging forms of innovative art. Like many ICMC visitors, I have needed to address my particular focus from artistic, scholarly and, from time to time, technological developmental points of view. Making innovative music, in the current case electroacoustic music, accessible is a complicated phenomenon. One needs to identify why a significant amount of the music is of marginal importance to today’s society. This identification process involves both societal factors as well as musical content and presentation issues as well. Societal factors include to what extent schools, particularly at primary and secondary levels, acknowledge the existence of these sorts of music and to what extent our communications media support it. Although many agree that digital electroacoustic sounds are ubiquitous today, the gap between current and potential appreciation and participation levels remains quite substantial. The EARS project was conceived of during the first two years of this decade. The idea was to create a resource to help counteract this unfortunate state of affairs. The Intention/Reception project (presented under 3.2.1 below) and the recently launched development research leading towards the provisionally named “Sound Organiser” audio software (presented under 3.2.3 below) are two related projects based in the Music, Technology and Innovation Centre (MTI) at De Montfort University (DMU) in the UK. As will be demonstrated, these three projects are to be merged within the EARS framework in the near future." @default.
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• W2269032115 title "The ElectroAcoustic Resource Site (EARS) approaches its next phase: going global and addressing the young." @default.
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