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• W2270654370 abstract "Spanish Abstract: Samuel Beckett y la Narracion Reflexiva es un estudio en profundidad de la escritura experimental de Beckett, en especial de la trilogia novelistica Molloy, Malone Dies, and desde la perspectiva de la narratologia estructuralista y las teorias estructuralistas sobre la enunciacion. Resulta de alli no solo una mejor comprension de la tecnica utilizada por Beckett para transmitir su peculiar vision de la realidad, sino tambien toda una nueva gama de significaciones en estos textos. La escritura de Beckett se revela como una escritura reflexiva, que juega deliberadamente con las convenciones de la representacion para trascenderlas y transformarlas. Su sentido se construye en gran medida mediante la desconstruccion parodica de los procedimientos narrativos tradicionales. La metodologia estructural desarrollada para el analisis narrativo resulta asi ser especialmente adecuada para enfrentarse a la escritura metaficcional de Beckett: debido a la extremada reflexividad de esta obra, el poder explicativo del metodo va mas alla de lo que tradicionalmente se considerarian cuestiones formales, ya que la forma se ha tematizado, ha pasado a a ser el contenido mismo de la obra de Beckett, la base de su articulacion narrativa. En este capitulo examinamos los movimientos narrativos de la trilogia (narracion de acontecimientos y de palabras, descripcion y comentario), con atencion especial a la transformacion a que se ven sometidas las categorias narrativas tradicionales, especialmente los nuevos usos de la temporalidad narrativa y del punto de vista.English Abstract: Samuel Beckett and Reflexive Narrative is an in-depth study of Beckett's experimental writing, more specifically of the novelistic trilogy Molloy, Malone Dies and Unnamable, from the standpoint of structuralist theories of narrative and of enunciation. An increased insight is thereby obtained into the technique used by Beckett to articulate his peculiar view of reality, and a new dimension of signification of these texts emerges. Beckett's writing is revealed as a reflexive writing, playing deliberately with the conventions of narrative representation in order to transcend and transform them. Its sense is largely built through the parodic deconstruction of traditional narrative procedures. The structural methodology deployed for narrative analysis is, then, most adequate to deal with Beckett's metafictional writing: because of the extreme reflexivity of these works, the explanatory power of this method extends beyond the traditionally formal aspects, given than form has become thematized and has become the subject matter of Beckett's writing, the basis of its narrative articulation. This chapter examines narrative movements of Beckett's trilogy with a special focus on the transformation undergone by traditional narrative categories, in particular the novel use of narrative time and of point of view." @default.
• W2270654370 created "2016-06-24" @default.
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• W2270654370 date "1992-01-01" @default.
• W2270654370 modified "2023-10-02" @default.
• W2270654370 title "Movimientos narrativos (Samuel Beckett y la narración reflexiva, 4) (Narrative Movements (Samuel Beckett and Reflexive Narrative, 4))" @default.
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