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- W2273141851 abstract "A miniature is a small but exact representation of a larger phenomenon, a diminutive replica of a large original. Mikhail Kuzmin's play Hull's Strolls consists of fifteen short episodes and occupies a dozen pages. The play conveys an impression that Kuzmin, while experimenting with his own version of miniature, decided to take the course of utmost resistance : for an original to be copied in miniature he chose not just a large phenomenon but the largest - the totality of the world's phenomena. In order to become an oeuvre totale, that is, a microcosm of the world and art, a miniature has to enclose everything in the world. At the same time, a miniature has to preserve its integrity and wholeness as an individual work. In Hull's Strolls, this twofold task is accomplished by a correlation of two opposite tendencies. Within this miniature, the forces of the density of the text operate simultaneously with the opposite forces of the openness of the text. The tendency of density creates - by means of interacting keywords and motifs - a dynamic system that is complete and enclosed, whereas the opposite tendency of openness makes free elements of the text connect to the outside cultural space that surrounds the miniature. The combination of these two tendencies creates the complex phenomenon of Kuzminian miniature - a semantic unity able to enclose all there is in the world." @default.
- W2273141851 created "2016-06-24" @default.
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- W2273141851 date "2008-01-01" @default.
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- W2273141851 title "Kuzmin's miniature as oeuvre totale" @default.
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