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- W2282044648 startingPage "135" @default.
- W2282044648 abstract "AbstractThe term ‘contextual art practice’ has been used in recent years as an overarching term to cover categories such as ‘public art’, ‘environmental art’ and ‘community art’. This article contends that such categorizations may obscure rather than illuminate our understanding of these practices. It draws on historical narratives of British contextual art, particularly community and performance art, to illustrate that the inability of British art professionals, such as critics, funders and administrators, to comprehend the processual nature of what became known as postmodernism meant that they imposed an essentially modernist, discipline-based value system on its manifestations. The resultant search for modernist sets of reference, and the resistance this provoked in practitioners, resulted in fragmentation, as illusory specialisms were constantly defined only to be endlessly subverted by disgruntled artists. This confusion arose from a profound paradigm shift where high-modernism, wedded to the art-obj..." @default.
- W2282044648 created "2016-06-24" @default.
- W2282044648 creator A5084993104 @default.
- W2282044648 date "2003-03-01" @default.
- W2282044648 modified "2023-10-18" @default.
- W2282044648 title "Beautiful impurity" @default.
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- W2282044648 doi "https://doi.org/10.1386/jvap.2.3.135/0" @default.
- W2282044648 hasPublicationYear "2003" @default.
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