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- W2282675312 abstract "This paper explores the iconographical approaches to the ancient aulos and its myths. The general aim is two-fold: (a) to demonstrate the relative autonomy and complementary value of textual and visual sources in study of ancient myth and music; (b) to establish the reciprocity of the disciplines involved in studying visual representations of musical myths, notably musical and mythological iconography. In particular, this paper integrates approaches researchers can take in studying the myth of Marsyas. In classical mythology, with its primary literary orientation, the myth of Marsyas is widely regarded as an ultimate mythical expression of typical Greek dichotomies such as of aulos-kithara, Apollo-Dionysos, Greece-barbarians, etc. However, we can achieve a more nuanced picture by taking a closer look at the iconography, because visual sources are more numerous and specified in time and pace. The Italiote vases are quite independent of the Attic ones. Even the Attic vases in themselves display a variety of traditions. They do not simply depict Marsyas as the doomed opponent of Athena and Apollo. Images of the contest mostly show the satyr performing. Moreover, he plays not only the aulos but other instruments too, even the kithara. Furthermore, he also occurs in less irreputable musical contexts, notably with Olympos. In this, his myth reflected and shaped the debate over the rise of aulos and the new known from music history in all its complexity." @default.
- W2282675312 created "2016-06-24" @default.
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- W2282675312 date "2003-01-01" @default.
- W2282675312 modified "2023-09-23" @default.
- W2282675312 title "The Myth of Marsyas in Ancient Greek Art: Musical and Mythological Iconography" @default.
- W2282675312 hasPublicationYear "2003" @default.
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