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- W2287332322 abstract "It happened in 1977 - the opening night of Fred Williams: Landscapes of a continent at the Museum of Modern Art in New York. An extensive exhibition of works on paper by Williams was the first solo show for any Australian artist at the Museum of Modern Art. The brainchild of William S. Lieberman, then director of the Department of Prints and Drawings, the exhibition was a brilliant showcase of Fred Williams's work in gouache in particular. It was an exciting affair: Australian National Gallery (now National Gallery of Australia) Director James Mollison was in the company of Fred and his wife, Lyn, as well as Rudy Komon, Williams's Sydney dealer. A bevy of Rockefellers and even a feisty Lee Krasner, widow of Jackson Pollock, were on hand for the occasion. In the spirit of the evening, Rudy Komon hosted a lavish dinner at PS77 accompanied by his own supply of wines. It was an occasion to savour and yet Fred was fretting over the whole business. Perhaps the importance of the event was too much to just accept that the exhibition was a visual success and that congratulations were heartfelt. Perhaps it was also that suddenly a large body of Fred's work was being shown in an important international arena, which would understandably create as much anxiety as pride." @default.
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- W2287332322 date "2012-04-01" @default.
- W2287332322 modified "2023-09-23" @default.
- W2287332322 title "Fred Williams - the poetry of paint" @default.
- W2287332322 hasPublicationYear "2012" @default.
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