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- W2288474315 abstract "The term scenography is an increasingly popular one within the worldwidetheatre making community, becoming the term of choice to refer to the visual,spatial and aural aspects of theatre production. In her book What is Scenography?(2002) Pamela Howard suggests that we should consider the term scenography asreferring not only to those aspects of the theatre product, but also to thecollaborative process through which the product is created. In the context of herstudy, Howard refers to scenography as process within her own work, grounded inthe production of literary texts. But what are the implications of scenography asprocess within non text-based and postdramatic theatre? This thesis will considerthe place and process of design within devised and postdramatic theatre, and howthis fits with Howard's conception of scenography as process.The change and development in all aspects of the theatre making processthat occurred through the twentieth century, with the growth of devisingmethodologies and collective-based companies, necessitated the emergence of adifferent type of theatre designer. Howard cites an emphasis in collaboration andthe scenographer's presence in the rehearsal room as distinguishing factorsbetween a scenographic and more orthodox design process, and as such thisneed for a collaborative design methodology can be seen as having arisen fromthe development of collective and devising working processes.Considering the historical importance of figures such as Appia, Craig,Meyerhold, Brecht and Svoboda in the revolution and development of stage designand scenography through the twentieth century, this thesis documents the scenicpractice of Complicite, Improbable, Forced Entertainment, Fevered Sleep and tworecent productions by Katie Mitchell at the National Theatre, consideringscenography as an integral part of the process of writing the performance text. Outof the work of these practitioners various models of scenographic practice aredrawn, offering a variety of methodologies that can be used individually or incombination as a starting point for developing scenography in a devised orpostdramatic context." @default.
- W2288474315 created "2016-06-24" @default.
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- W2288474315 date "2009-01-01" @default.
- W2288474315 modified "2023-09-23" @default.
- W2288474315 title "Scenography as process in British devised and postdramatic theatre" @default.
- W2288474315 hasPublicationYear "2009" @default.
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