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- W2289773148 abstract "Film is certainly a medium which can appear to revel in the vulgar and inconsequential,(Kracauer, 1960) but at its best, like music, it can guide the viewer by means of metaphorand emotion, past the meretricious, to the heart of something which really matters (Steiner,1989) The question is – how might it do that? How can a technical medium which putssounds and images on celluloid attempt to represent that which is unrepresentable by virtueof being both ineffable and invisible? (Schrader, 1972 p.6). What kind of relationship mightthe medium possibly have with the sacred, with that which is set aside and attributed withextraordinary value, or with the Transcendent, that which is beyond normal senseexperience? (Schrader, 1972 p.5). Over the last century many people have addressed thesequeries. It seems pertinent to raise them again now since there has been a renaissance of3interest in both making films and writing about films which deal with matters of the spirit. Atthe same time there have been changes in the academic and cultural contexts in which filmmaking is situated. This paper surveys the range of approaches that have been used todiscuss religion and film in the past and asks which of them are still relevant today." @default.
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- W2289773148 date "2002-02-01" @default.
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- W2289773148 title "Film, spirituality and heirophany: the contemporary search for meaning" @default.
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