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- W2291134080 abstract "This article analyses a passage in Heidegger's 'The Origin of the Work of Art', which interrogates Albrecht Durer's assertion that 'art lies hidden within nature; he who can wrest it from her, has it'. The article outlines Heidegger's investigation of the nature of artistic making in general and the act of drawing in particular, through a reflection on D rer's use of the term 'wrest'. In outlining the form-giving powers of drawing on an ontological level, Heidegger offers the concept of the Riss - a word that can mean both to draw and to tear. The duality of the Riss is translated as the 'rift-design' a concept and a conundrum that facilitates an investigation of the truth claims of drawing. The Riss encompasses a 'strife' by which the artist 'wrests' art from nature. However, within this unity of opposites Heidegger diagnoses a dynamic also recognised by Heraclitus in a fragment passed down to us by Aristotle, and translated variously, including as follows: 'cleaving apart bears together, and from bearings apart [comes], the most beautiful harmony'. There is a suggestion that this may be a source for Heidegger's conception, which in turn represents a 'correlative of Derrida's differance'." @default.
- W2291134080 created "2016-06-24" @default.
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- W2291134080 date "2011-06-01" @default.
- W2291134080 modified "2023-09-26" @default.
- W2291134080 title "The 'Rift-Design' Conundrum: Drawing as Form-giving and Knowing" @default.
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