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- W2292380397 abstract "The thesis will show that a distinctive New Zealand voice in the arts may be found not in anessence, as has sometimes been suggested, but at chronologically specific intersections ofdiscourses. Each of the six works I examine has been made in New Zealand and is a mixture ofmusic and language. As generic hybrids, combinations of music and language make appropriateobjects of study for a thesis that explores a specific local dialogue between the 'mixture' and the'essence', the 'hybrid' and the 'authentic', the 'indigenous' and the 'exotic', the 'local' and the'imported', the 'centre' and the 'periphery.'Like acquisitive magpies, New Zealand artists constantly collect and select their material. Theysift, save, reject and synthesise, and in so doing they create new combinations out of oldingredients. One of the characteristics of New Zealand poetry is that it has often been combinedwith music. There have been many collaborations between poets and musicians since colonialtimes. These collaborative texts occupy a complex space between art forms, just as New Zealandartists negotiate between orientations, positioning themselves between different culturaltraditions. In its own process of selection, the thesis selects six works for close analysis whichrepresent not only different periods but also different forms of synthesis. Each work represents'New Zealand', yet what this means in practice is different in each case." @default.
- W2292380397 created "2016-06-24" @default.
- W2292380397 creator A5088145412 @default.
- W2292380397 date "1994-01-01" @default.
- W2292380397 modified "2023-09-23" @default.
- W2292380397 title "Magpies: negotiations of centre and periphery in settings of New Zealand poems by New Zealand composers, 1896 to 1993" @default.
- W2292380397 hasPublicationYear "1994" @default.
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