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- W2293998758 abstract "The conception of projective music that I have attempted to realize over the last quarter-century attempts to rescue the visionary component of Modernism from the exhaustion into which the discourses of both Formalism and Postmodernism have sunk. Drawn from Kandinsky's century-old model, projective music stakes claims on the future, but unlike Kandinsky's conception, it avoids the utopian model of a single, inevitable future for all of society. Instead, from the standpoint of presently-existing conditions, it projects a possible future, either hoped for or dreaded. It resembles Critical Composition in requiring ceaseless critique of presuppositions, strategies, and materials, but differs from it in its refusal to reduce the artwork to an instrumental level. Projective music speaks of and for its own time, but it also aims to create artworks enduring enough and of sufficient thematic interest to hold the interest of future times." @default.
- W2293998758 created "2016-06-24" @default.
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- W2293998758 date "2015-05-04" @default.
- W2293998758 modified "2023-09-27" @default.
- W2293998758 title "Politics and Compositional Aesthetics" @default.
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- W2293998758 doi "https://doi.org/10.1080/07494467.2015.1094218" @default.
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