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- W2296723064 abstract "In 2012 Michael Edwards introduced his open-source composition system, Slippery Chicken (sc). Since then I have been working with the software, experimenting with the possibilities and limits of its output and identifying its constants and mutations. In this paper I will analyse some of the different compositional methodologies that sc offers, tracing its digital fingerprint and examining its persistent presence through degrees of composer and performer interpretation. I will include a discussion of the broad spectrum of opportunities for the parallel generation of ideas and maintenance of each user’s compositional voice, not only through choice of input material but flexibility of output formats from the software. Summarising some current thought on Computer Aided and Algorithmic composition I will attempt to unpick some of sc’s design mechanisms, with particular attention to the relationship between form and process of composition when using the software. I will then examine case studies from my compositions with specific reference to degrees of interpretation. Firstly, I will present my experiences using the software in a first degree approach, which represents unmediated algorithms. Following this I will look at hybrid mediation, second degree usage. In this case study sc is still directly present through sound file organisation in a fixed-media part, however the notated score is created through aural interpretation of the fixed-media. Finally I will outline the compositional methodology in a third degree, fully mediated composition in which I place myself directly in front of the information flow between algorithm and score, meaning no digital (only a perceptual) trace of the software can be found." @default.
- W2296723064 created "2016-06-24" @default.
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- W2296723064 date "2014-01-01" @default.
- W2296723064 modified "2023-09-23" @default.
- W2296723064 title "Degrees of Interpretation in Computer Aided Algorithmic Composition" @default.
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