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- W2297291246 abstract "The interrogation of critical architecture that has emerged in past few years has not, as some have claimed, been a collective assault on theory. Sarah Whiting and R. E. Somol's notion of a projective architecture is commonly grouped within postcritical camp, but it would be a mistake to call them antitheoretical.1 Theirs is partly a generational struggle.2 But there is more at stake in Whiting and Somol's struggle with Michael Hays and Peter Eisenman than an Oedipal complex. Underpinning work, or theory, of Hays and Eisenman is a presupposition that architecture is part of a signifying process, that it is about making and interpreting meaning. Whiting and Somol are tired of meaning. They advance a theory of architecture as delivery and presentation (not representation). Projective architecture, then, represents an attempt to come to terms with last three decades of architectural theory in US. This is a reorientation of architectural theory away from reading and signification and toward force, effects, and, ultimately, sensation. Hays and Eisenman are part of a generation of critics who endorse use of structuralist and poststructuralist theories in architectural discourse. The translation of literary theory into architectural discussions was not a homogeneous project. Yet, theorists from Charles Jencks to Mark Wigley have shared a reliance on linguistic analogies to structure their theories of architecture.* The importation of semiological theory into American architectural discourse in 1960s and 1970s both marked maturity of theoretical discussions and had a sustained influence. Semiological tools and concepts produced a discursive field in which meaning, or negation of meaning, was dominant form of theoretical engagement. The critical architecture of Hays and Eisenman is motivated by concept of index , a semiological term that describes a causal relationship between signifier and signified. According to Eisenman, in Le Corbusier's Maison Dom-ino, the sign is a record of an intervention.4 This is an architecture about architecture. Self-referentiality provides a disciplinary autonomy that allows Eisenman to turn Maison Dom-ino against history of architecture as a critical tool." @default.
- W2297291246 created "2016-06-24" @default.
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- W2297291246 date "2006-01-01" @default.
- W2297291246 modified "2023-09-25" @default.
- W2297291246 title "Tired of Meaning" @default.
- W2297291246 hasPublicationYear "2006" @default.
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