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- W2298098077 abstract "It is widely recognised that education in the twenty-first century involves the development of 'multi-literacy', or an ability to read 'texts' that extend beyond the printed word, to encompass visual media and electronic sources. While film and media studies have been reasonably well established for some time, until recently the role of music as a vital contributor to multi-faceted textual interpretation has received only limited attention. One multimedia text in which music plays an integral part is Tom Tykwer's watershed millennial film, Run Lola Run. Described somewhat paradoxically as an experimental film for a mass audience, and sharing aspects of the video game and the rock video, Tykwer's film sports an avatar-like post-modern protagonist (played by Franka Potente) who traverses several forms of media and levels of existence. While Tykwer's hybrid text (spanning animation, video footage, as well as 35 mm film), is known primarily for its visual special effects, it is arguable that the drive and energy of Run Lola Run is largely created by its pulsating techno soundtrack; it is notable that the latter was released on CD as a compilation of dance music audiotracks, and that the film's DVD version contains a new companion music video (featuring Potente as singer) in addition to the conventional cinematic trailer. This paper examines the crucial role of music in the co-construction of the film's multifaceted protagonist and in shaping the interpretation of the film as a whole." @default.
- W2298098077 created "2016-06-24" @default.
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- W2298098077 date "2009-01-01" @default.
- W2298098077 modified "2023-09-24" @default.
- W2298098077 title "It's All in the Soundtrack: Music as Co-constructor of Postmodern Identity in Tykwer's End-of-millennium Text, 'Run Lola Run'" @default.
- W2298098077 hasPublicationYear "2009" @default.
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