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- W2300221193 abstract "Random skirmishes, organized civil violence and breakdowns in national security have ensured that while Lebanese society is not really at it cannot be described as post-conflict. Still suspect to the slow-healing scars brought about by the protracted civil war of 1975-1990, Lebanon's fault lines continue to generate new wounds seemingly driving the possibility of genuine citizenship even further into the distance. The atmosphere of the civil war continues to pervade Lebanon's cultural landscape by permitting confessional identities to persist in an environment where being a citizen of the state always takes second place to group loyalty. This paper seeks to explore the responses to LebanonaEUR(TM)s confessional constitution in the construction of identity within contemporary artistic and intellectual production. The paper draws on a number of arts projects produced after the official cessation of hostilities in 1990 to consider the role of art in a context where the state is unable or unwilling to fulfill its responsibility to ensure successful reconciliation following conflict and to protect the rights of its citizenry. In examining the construction of identity in arts production, the paper is interested in how contemporary art practices seek to interrogate the concept of citizenship in an environment where aEUR~national belongingaEUR(TM) is still largely symbolic rather than practical." @default.
- W2300221193 created "2016-06-24" @default.
- W2300221193 creator A5012927702 @default.
- W2300221193 date "2008-08-19" @default.
- W2300221193 modified "2023-09-24" @default.
- W2300221193 title "Lebanese but Stateless: Negotiating Citizenship through the Arts in a Confessional Society" @default.
- W2300221193 hasPublicationYear "2008" @default.
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