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- W2300704640 abstract "Along with two other stories (“A Smile of Fortune” and “Prince Roman”),“The Partner” marks the beginning of Conrad’s recovery from a state of physicaland mental collapse after finishing Under Western Eyes and quarrelling with hisagent, J. B. Pinker. Except for the serial publication of Chance, “The Partner” isthe only work by Conrad in which the frame-narrator is a professional “writer ofstories” with no connection with the sea or with any other profession whatsoever.My main goal in this paper is to expand on what I left in sketch in a previous articleon the history of the composition and publication of “The Partner”: namely, toexamine how Conrad gives voice to his anxieties and resistances as an author bycreating a frame-narrator whose safe position of observer is upset by an inquisitivestevedore. The latter tells him a story that the writer-narrator reproduces in a rawstate, thus refusing to transform his sources into a more artistic and/or saleableproduct. The reader finds inscribed in the text of “The Partner” Conrad’s resistancenot only to commercial formulae, but also to the style that we may call Conradian,which by late 1910 he felt had —like the market— become a determinant." @default.
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- W2300704640 date "2006-01-01" @default.
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- W2300704640 title "A am not a sausage machine: Conrad's anxiety and resistance in The partner" @default.
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