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• W230200032 abstract "THERE SEEMS TO BE A LIVELY INTEREST IN ABORIGINAL Australian culture in Europe, particularly so in Germanspeaking countries.1 This hype of Aboriginality is often described as a product of romantic and exotic imaginings of Aboriginal societies and is thus criticized as highly problematic (e.g., Hanstein; Erckenbrecht). The translation of Aboriginal literature into Continental languages, too, constitutes part of this broader interest and hence reflects the European imagining of Aboriginal culture. The present article investigates those imaginings that have been established through translations of which German, as statistical evaluations of bibliographies have shown, is the most prevalent language (Haag, Indigenous 2).The analytical focus of this article is on those parts of the translated works that are not part of direct translations of the source texts but that have been shaped independently by the German-speaking publishers, translators, and editors. This includes those textual elements- or what Gerard Genette terms peritexts- that are relatively free of the parameters of the source texts; hence, introductions and epilogues intended to acquaint German-speaking audiences with the wider contexts of Aboriginal literature, as well as dust covers encompassing both cover illustrations and blurbs. Publishers of translations design dust covers primarily as tools to advertise a book to its target readership 0anzin 327; Phillips; Smart 12-13). In this respect, dust covers serve the publisher's economic and marketing ends as much to protect the book itself (Mazal 324-5). Therefore, in this article, I argue that the study of dustcovers and introductions/epilogues assists in scrutinizing the German imagining of Aboriginal culture. Thus the objective of this study is to identify how German publishers of translation have imagined Aboriginal literatures and cultures.The idea for this study emerged after I attended a conference in Australia and told a delegate about my research interest in the European reception of Aboriginal literature. This delegate was very quick in her reaction- I could hardly finish my first sentence- interrupting me by suggesting that the translations must be full of German cliches about Aboriginal Australians. To her, Aboriginal literature in German translation smacked of trite exoticism and aesthetic primitivism. This assessment suggests that the German imagining of Aboriginal Australian literature and culture was relatively detached from Australian discourses, hence reflecting first and foremost German ideas of Aboriginal culture. This assessment, as I shall argue in this article, is not accurate. Rather than merely projecting Germanspeaking contexts of reception, German translations reflect major discourses about Aboriginal culture in Australia.2In analyzing the German imagining of Aboriginal culture, I draw on the concept of Aboriginality, which Marcia Langton defines as a socio-histprical process of discourses about the essence of being Aboriginal (31); these discourses are determined interactively and reciprocally by both Aboriginal and non-Aboriginal people (33-4). In his monograph From the Centre to the City (1992), Kevin Keeffe has described two major forms of this Aboriginality: one that stresses the continuity and high age of Aboriginal traditions, which he was to call Aboriginalityas-persistence, and quite another that focuses on Aboriginal resistance to non-Aboriginal colonization and politics, which he was to designate Aboriginality-as-resistance (49-56). Both forms of Aboriginality still provide a useful framework for understanding different representations of Aboriginal cultures and thus offer a promising tool to analyze German translations.This article contributes new perspectives to the thin yet increasing scholarship on the European reception of Aboriginal Australian literature (e.g., Di Biasio; Ballyn). Roughly speaking, scholarship on translated (Aboriginal and non-Aboriginal) Australian literature falls into four broad categories: (i) bibliographies, including statistical surveys and analyses of reviewing (e. …" @default.
• W230200032 created "2016-06-24" @default.
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• W230200032 date "2012-12-01" @default.
• W230200032 modified "2023-09-23" @default.
• W230200032 title "Representations of Aboriginality in German Translations of Aboriginal Literature: A Study of Peritexts" @default.
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