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- W2312591077 abstract "It is a long way from the Danube in Central Europe to the Ganges in the Indian subcontinent, and a long way from the music which has most occupied Milton Babbitt compositionally and theoretically to the kinds of music that most interest me. But the way Milton Babbitt has been dealing with the theory of twelve-tone music since before I came to Princeton as a graduate student in 1950 until today and tomorrow has the effect, as he himself put it in a recent article which will be quoted more than once here, of directing concern and study to previously only slightly examined issues fundamental to all musical systems: octave equivalence, the empirical characterization of the separable musical dimensions, the status of such concepts as 'register', and on and on. (Babbitt 1972, p. 173)1" @default.
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- W2312591077 date "1976-01-01" @default.
- W2312591077 modified "2023-09-26" @default.
- W2312591077 title "The Structure of Musical Meaning: A View from Banaras (A Metamodal Model for Milton)" @default.
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- W2312591077 doi "https://doi.org/10.2307/832644" @default.
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