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- W2312594564 abstract "ABSTRACTThis article will examine the comedic functions of metatheatre in two plays by Thomas Kilroy: Tea and Sex and Shakespeare (1976) and Talbot's Box (1977). Kilroy's dramatic output since the 1960s is formed of a series of uniquely experimental plays; he is a writer who always seeks to push the boundaries of theatre. Metatheatre is a device he favours and it appears throughout his drama, serving a range of functions that are closely interrelated; his use of metatheatre invariably breaks down the ‘fourth wall’ of the stage, encourages plural interpretations of his subject matter and undermines established discourses. Tea and Sex and Shakespeare is his self-reflexive farce about a dramatist struggling to write a masterpiece, with copious allusions to Shakespeare and the craft of a dramaturg. The comedic functions of metatheatre in the play are to comment on the role of the artist, by showing an artist's self-doubt and insecurity, thereby undermining reality. Indeed, metatheatre in Tea and Sex and Shake..." @default.
- W2312594564 created "2016-06-24" @default.
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- W2312594564 date "2011-01-01" @default.
- W2312594564 modified "2023-09-24" @default.
- W2312594564 title "‘It's like a theatrical railway station round here’: The comedic functions of metatheatre in Thomas Kilroy'sTea and Sex and ShakespeareandTalbot's Box" @default.
- W2312594564 cites W2918770863 @default.
- W2312594564 doi "https://doi.org/10.1386/cost.2.1.73_1" @default.
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