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- W2313782371 abstract "Two paintings by Murillo from the Louvre Museum entitled Agony in the garden and Penitent St. Peter kneeling before Christ and the column were analysed by PIXE to identify the nature of their unusual dark mineral backing. Considered until now as black marble, this support turns out to be obsidian, with an almost identical elemental composition for the two works. This composition was compared to that of six Mesoamerican unpainted obsidians labelled “smoking mirrors” with comparable size and shape from the Paris Museum National d’Histoire Naturelle and Musée de l’Homme and to that of geological samples from five Mexican sources. The trace element contents of Murillo’s obsidians, in particular those of Mn, Zr, Sr, Y, Rb, Zr, Nb and Zn appeared to be very similar to that of four smoking mirrors and to that of obsidians from the Ucareo-Zinapécuaro source in central Mexico, an important complex of obsidian quarries exploited since pre-Hispanic times. A literature survey showed no such similarity with obsidians from other Mesoamerican sources or even from Mediterranean and surroundings source-areas. This study points out that Murillo, although living in Sevilla, had occasionally employed for his paintings materials shipped from the New World to Spain." @default.
- W2313782371 created "2016-06-24" @default.
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- W2313782371 date "1980-01-01" @default.
- W2313782371 modified "2023-09-24" @default.
- W2313782371 title "The Valley of Mexico. Studies in pre-hispanic ecology and society" @default.
- W2313782371 doi "https://doi.org/10.1016/0305-7488(80)90069-9" @default.
- W2313782371 hasPublicationYear "1980" @default.
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