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- W2314026028 abstract "The title of Gide's Caves du is so strongly suggestive of the book's central conception that it should never have been changed in the English translation.' Only superficially does it refer to the Vatican swindle, that criminal conspiracy which is merely the ostensible mainspring of the story. Actually the story should not be stressed at all. Lafcadio's adventures are important components of this book, but they are far from representing its basic conception. The image of the caves, suggesting imprisonment or hermetic enclosure, is much more appropriate. Moreover, we know that the cellars play a purely imaginary role. Thus we are made to feel that the primary theme of immurement is in some way fictitious or devoid of substantial reality. Indeed the characters in the book are hemmed in by walls from which they cannot (or do not want to) escape. Instead of cellars let me speak of systems, replacing the concrete image by a concept, for the sake of expository clarity. The earmark of a system is its closed nature, its perfect objective coherence that does not take account of subjective distinctiveness and spontaneity. Gide's characters are caught in systems that flatten their personal existence and strip them of individual substance. Anthime Armand-Dubois and Julius de Baraglioul are cogs in a mechanism, puppets without reality or density. The system may be social" @default.
- W2314026028 created "2016-06-24" @default.
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- W2314026028 date "1962-05-01" @default.
- W2314026028 modified "2023-09-24" @default.
- W2314026028 title "Gide's Caves du Vatican and the Illusionism of the Novel" @default.
- W2314026028 doi "https://doi.org/10.2307/3042900" @default.
- W2314026028 hasPublicationYear "1962" @default.
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