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- W2314096425 abstract "Existing analyses of Carl Schmitt's account of representation tend to treat together Roman Catholicism and Political Form (1923), which is concerned with the Catholic Church's “representation,” and Constitutional Theory (1928), which touches on representation vis-à-vis more traditional political questions.1 Such treatments typically lean heavily on a particular passage from the later text to explicate the earlier: To represent means to make an invisible being visible and present through a publicly present one. The dialectic of the concept is that the invisible is presupposed as absent and nevertheless is simultaneously made present. That is not possible with just…" @default.
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- W2314096425 date "2010-12-01" @default.
- W2314096425 modified "2023-09-26" @default.
- W2314096425 title "Re-imagining the Public Sphere: Malebranche, Schmitt's Hamlet, and the Lost Theater of Sovereignty" @default.
- W2314096425 doi "https://doi.org/10.3817/1210153070" @default.
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