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- W231422483 abstract "thorough reevaluation so as to rekindle intellectual and pedagogical enthusiasm. He is faced, in short, with a fight for survival. And yet there is hope amid those whispered and cynical complaints from educators discontent with the new brand of student invading our institutions of higher learning, the non-student who prefers a fast trip to a fifteen-minute intense pattern drill, the disinterested absentee whose linguistic curiosity is and shall perhaps forever remain dormant. The key to the new-found hope is creative student involvement. Surely pattern recognition, repetition, and question/answer sessions based on memorized dialogues do involve the student in an active linguistic experience, but these formalized rituals neither convince the student of the relevance of the language he is learning nor do they involve him in a challenging, ego-satisfying experience favorable to learning.1 To maintain the effectiveness of the audio-lingual method and to meet the real needs of today's student who demands immediate enjoyment, a subtle but nevertheless appreciable injection of creativity must be administered and sensitively controlled. For the past four years at Brooklyn College of the City University of New York, I have been experimenting with a technique of planned dramatic scenes aimed at satisfying the student's need for involvement in a creative linguistic experience. This technique is used in conjunction with a rigorous application of the audio-lingual method to the teaching of elementary French.2 The students are" @default.
- W231422483 created "2016-06-24" @default.
- W231422483 creator A5019064068 @default.
- W231422483 date "1972-01-01" @default.
- W231422483 modified "2023-09-26" @default.
- W231422483 title "The Use of Planned Dramatic Scenes with the Audio-Lingual Method." @default.
- W231422483 hasPublicationYear "1972" @default.
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