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- W2314406989 abstract "As a painting, so a poem. This concept of the sister arts has been important since antiquity and was a favorite dictum of the English neoclassicists. Poets who subscribed to the doctrine ut pictura poesis strove to impose upon their temporal art the qualities they considered essential in the graphic media. Aware of the powerful effects to be achieved by the interrelations of the verbal and the visual arts, John Dryden was an important proponent of literary pictorialism and applied that principle in his own poetry and translations.' In Dryden's versions of the Aeneid and of Chaucer's Knight's Tale the tradition was to have an important effect. The changes Dryden made in his translations of both Virgil and Chaucer were the direct result of his pictorialist concerns, which in turn were a major factor in determining the quite different methods Dryden used in dealing with the two poets.2" @default.
- W2314406989 created "2016-06-24" @default.
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- W2314406989 date "1981-01-01" @default.
- W2314406989 modified "2023-09-26" @default.
- W2314406989 title "Ut Pictura Poesis: Dryden's Aeneis and Palamon and Arcite" @default.
- W2314406989 doi "https://doi.org/10.2307/1770437" @default.
- W2314406989 hasPublicationYear "1981" @default.
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