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- W2316188545 abstract "The competition drawings for Trinity Church have been considered lost. Their recent discovery and their analysis reveal that Richardson's development of the Romanesque style did not come about through repudiation of his French training. His initial sketch was similar to esquisses in competitions at the Ecole des Beaux-Arts. The outlines followed modular and proportional schemes based on French prototypes. The eccentric location and massing of Trinity's original spire, whose outlines were based on Flemish prototypes, were a synthesis of the French crossing dome with the English tower. The Romanesque arch, mastered by Richardson for the first time in Trinity, was the perfect compromise between the English Gothic lancet and the French Beaux-Arts arcade. As revealed here, the development of Richardson's style subjected English forms to the discipline of French practice." @default.
- W2316188545 created "2016-06-24" @default.
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- W2316188545 date "1980-09-01" @default.
- W2316188545 modified "2023-09-24" @default.
- W2316188545 title "The Birth of a Style: Henry Hobson Richardson and the Competition Drawings for Trinity Church, Boston" @default.
- W2316188545 cites W2129717648 @default.
- W2316188545 doi "https://doi.org/10.1080/00043079.1980.10787792" @default.
- W2316188545 hasPublicationYear "1980" @default.
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