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- W2316269301 abstract "Proust's A recherche du temps perdu culminates in a claim as extreme as it is renowned: la vraie vie, vie enfin decouverte et eclaircie ... c'est litterature (III, 895). It marks the abrupt reversal of the narrator's artistic fortunes: the occasion on which, having despaired of becoming a writer, he finds renewed faith in and in his own literary talents-and he resolves to write the story of his past. But is this tautological relationship between and literature-literature as a repository for the truth of a life (la vie enfin decouverte et eclaircie)-as unproblematic an equation as the narrator and many of his readers seem to think in the final pages? This ecstatic solution implies a belief in being able to move smoothly from narrating to writing, from experience to truth, from life to the literary work. Lately, however, the smoothness of such a move has become more knotted in critical discussions, as if we somehow need more explanation than what the narrator gives us about his next step. Implicit in Macksey's reference to the narrator's supremely problematic encounters with literature and the highly suspect language (xiv) of his accounts of these encounters is a suspicion perceptible in further symptoms of unease with narratorial claims. The narrator's euphoric resolve, for instance, is undermined by Ellison's suggestion that the literary work is produced out of failure to take possession, whether of Albertine or of meaning (128), implying a certain disjunction in tone between the final triumphant pages and what would actually be a far more resigned move to writing. This disjunction widens in" @default.
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- W2316269301 date "1989-12-01" @default.
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- W2316269301 title "Skipping Love Scenes: The Repression of Literature in Proust" @default.
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