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- W2316831938 abstract "For the past few decades the teaching of fiction in England and the United States has been radically affected by the appearance of two books: Wayne Booth’s The Rhetoric of Fiction (1961) and Dorothy Van Ghent’s The English Novel: Form and Function (1953). While Booth may be more widely discussed in professional forums, Van Ghent is the more influential in terms of her effects upon the teaching of fiction in America and England. Van Ghent’s essays have provided models for teachers of fiction on how to approach a novel in terms of its organizing aesthetic principles. Prior to Van Ghent, high school courses discussed plot in terms of the students’ own lives, while undergraduate novel courses wavered uneasily between plot synopsis, biography, history, and sociology. Yet although Booth’s importance has been recognized by both Anglo-American critics and European theorists who appreciate his methodological clarity, Van Ghent’s significance has been neglected. I think that there are two reasons for this neglect. Because her theory is gradually presented in a series of essays about specific novels, the implications of her conceptual framework have not been acknowledged even by those who appreciate the subtlety and power of her readings of English novels that span a spectrum from Moll Flanders to A Portrait of the Artist as a Young Man." @default.
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- W2316831938 date "1986-01-01" @default.
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- W2316831938 title "‘The Idea Embodied in the Cosmology’: the Significance of Dorothy Van Ghent’s The English Novel: Form and Function" @default.
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- W2316831938 doi "https://doi.org/10.1007/978-1-349-08068-7_5" @default.
- W2316831938 hasPublicationYear "1986" @default.
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