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- W2317386479 abstract "It may seem absurd to bring up a question that would appear to have been answered a generation or two ago. Most people are agreed, I imagine, that art is something distinct from morals; that works of art should be judged from a point of view which is morally neutral; and that there is a kind of aesthetic purity which should be preserved at all costs. Aesthetic value has been said to be determined without regard to either goodness or truth. It was resident, according to Baumgarten's school, in perceptual or perhaps even in sensory experiences, and the logical as well as the ethical were irrelevant. Such a philosophy will be found to be grounded in the obsolete faculty psychology in which the reason, the will, and the senses, though they might conflict with one another, should be disciplined to the point where each would deal with its own natural problems. Reason could correct volition and sensation, as when it decided that incorrect ends were being pursued or that sensory illusions confronted one. But the reason was judicial, not executive, and its decisions could be carried out only by the will. So the senses received information from a world external to the psyche, but by themselves were inoperative and could do nothing. Since art was in the perceptual field, the reason and the will were alien to its problems, and the values reportedly proper to their interests could not be criticized by logical or moral criteria. I doubt that any argument to speak of is needed to demolish this psychology. When unconscious motivation was discovered, whatever name it bore, it was seen that one's reason might be subservient to the" @default.
- W2317386479 created "2016-06-24" @default.
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- W2317386479 date "1968-07-01" @default.
- W2317386479 modified "2023-10-18" @default.
- W2317386479 title "Art, Morals, and the Teaching of Art" @default.
- W2317386479 doi "https://doi.org/10.2307/3331330" @default.
- W2317386479 hasPublicationYear "1968" @default.
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