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- W2317419726 abstract "Those in the English-speaking world who are casually familiar with Hegel’s aesthetics tend to have been informed by the often-published Introduction to his Lectures on Fine Art (LFA; trans. T. M. Knox) which provides a substantial outline of the 1,200-page work.1 Fewer readers study the detailed discussions of the Romantic arts of painting, music and literature that begin around page 800. Benjamin Rutter’s Hegel on the Modern Arts attends to some of this rich material in an effort to refine our understanding of Hegel’s ‘end of art’ thesis. Rutter claims that in the post-Romantic period in which we now live, art remains indispensable for providing significance and vivacity to the little things in life. Hegel believes that if we compare the religious and philosophic modes of expression to the artistic, we will acknowledge that with regard to incorporating the essential interests of our advanced culture, the religious and philosophic modes have become the more significant, effective and appropriate means of cultural expression. This is presumably because our emotional and conceptual lives have become so complicated and reflective, that pure artistic expression is incapable of incorporating our present level of spiritual depth in a satisfactory way." @default.
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- W2317419726 date "2012-08-27" @default.
- W2317419726 modified "2023-09-23" @default.
- W2317419726 title "Hegel on the Modern Arts" @default.
- W2317419726 doi "https://doi.org/10.1093/aesthj/ays040" @default.
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